After a slew of sexual-harassment and assault allegations against Harvey Weinstein went public last month, the floodgates were opened. Every day since, new accusations have come out about some of Hollywood’s biggest hotshots—and the consequences have come swiftly. The release of Louis C.K.’s new movie and Netflix special were canceled. Kevin Spacey’s role in the kidnapping drama All the Money in the World is being re-shot with Christopher Plummer, weeks before its scheduled release.
But Mel Gibson, a man whose anti-Semitic remarks and domestic violence charge are on the public record, where anyone can find them—in 2011, he pleaded no contest to a charge of misdemeanor battery of his ex-girlfriend Oksana Grigorieva—can still make bank at the weekend box office.
This weekend saw the release of two new films from major studios: 20th Century Fox’s Agatha Christie adaptation, Murder on the Orient Express, and Paramount’s comedy Daddy’s Home 2, the sequel to 2015’s Daddy’s Home. While Thor: Ragnarok still reigns supreme, in its opening weekend, Daddy’s Home 2 made back almost half of its $69 million budget, with a take of $30 million over Friday, Saturday, and Sunday. It’s the fourth-biggest opening, Forbes notes, of any Paramount release since the first Daddy’s Home ($38.7m), behind only Teenage Mutant Ninja Turtles: Out of the Shadows ($32m), Star Trek: Beyond ($58m), and Transformers: The Last Knight ($44m)—all big-budget franchise sequels.
Daddy’s Home 2 also stars Will Ferrell, Mark Wahlberg, and John Lithgow—but Mel Gibson is billed near the top. Its opening-weekend success seems to show that both Hollywood and the public are willing to welcome the actor back into the fold, after a period of shunning that began shortly after his 2006 D.U.I. arrest and continued largely until the release of last year’s Hacksaw Ridge, a film Gibson directed that was nominated for six Oscars. Daddy’s Home 2 marks Gibson’s first on-screen role in three years and his first family comedy in quite a while—and while the movie has been pummeled by critics (it’s earned just a 16 percent fresh rating on Rotten Tomatoes), its box-office receipts and Gibson’s upcoming film slate (he’s got a thriller with Vince Vaughn and a drama with Sean Penn on deck) seem to indicate that he’s once again being embraced by audiences and studios. Is this a portent for redemption tours to come? Only time will tell—but perhaps it means we should brace ourselves for figures like Kevin Spacey and Louis C.K. to attempt similar returns to the public stage in the not-so-distant future.
Hollywood studios are “drenched in the blood of innocent children” according to Mel Gibson who claims the consumption of “baby blood is so popular in Hollywood that it basically operates as a currency of its own.”
Hollywood elites are an “enemy of mankind continually acting contrary to our best interests” and “breaking every God given taboo known to man, including the sanctity of children,” Mel Gibson said in London, where he is promoting his role in Daddy’s Home 2, his most prominent on-screen role in years.
“It’s an open secret in Hollywood. These people have their own religious and spiritual teachings and their own social and moral frameworks. They have their sacred texts – they are sick, believe me – and they couldn’t be more at odds with what America stands for.”
Mel Gibson appeared on the Graham Norton Show on the BBC on Friday, and he schooled shocked guests about the real nature of Hollywood elites in the green room backstage after his appearance.
Explaining that he spent the last ten years “working on my own ideas, outside of the Hollywood system” after being blacklisted by Hollywood in 2006 for sharing opinions about the industry and the world that run counter to liberal orthodoxy, Gibson said, “I don’t know how to break it to you gently… Hollywood is institutionalized pedophilia.
“They are using and abusing kids.“
“They churn through a huge amount of kids every year. Their spiritual beliefs, if you can call them that, direct them to harvest the energy of the kids. They feast on this stuff and they thrive on it,” the Hacksaw Ridge director said.
“What do I mean? This isn’t some kind of artistic abstraction. They harvest the blood of children. They eat their flesh. They believe this gives them life force. If the child was suffering in body and psyche before it died, they believe this gives them extra life force.”
“There is a creative and loving force inside most of us that guides us through life. These people don’t have this. For them it’s the opposite.”
According to Mel Gibson, who has spent 30 years in and out of the Hollywood system, the industry elites “thrive on pain, trauma, stress, abuse, and suffering.”
“Hollywood is drenched in the blood of innocent children. For a long time all the references to pedophilia and cannibalism were symbolic or allusive. But I was personally introduced to the practice in the early 2000s. I can talk about this now because these people, the execs, they’re dead now.”
“The blood of a sexually abused infant is considered highly ‘enriched’ and is highly prized. The money changing hands, the favors, the kickbacks – you have no idea. Babies are a high-functioning currency all of their own. Babies are their premium brand of high-grade caviar cocaine diamond steak.”
But according to Gibson this isn’t a flavor-of-the-month perversion, popular among men and women who have grown bored of standard issue sins.
“This isn’t anything new. If you do some research you will see it’s a metaphysical, alchemical phenomenon and you can find it behind the scenes in all the dark eras in history.
“It’s a dark, multidimensional occult art and practice, used by secret societies in the last few hundred years for social programming and mind control, and raised to a zenith by Hollywood in America in our era.“
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